Showing posts with label Rifflandia sucks. Show all posts
Showing posts with label Rifflandia sucks. Show all posts

Monday, September 27, 2010

Rifflandia Spotlight: DJ Longshanks

So despite swearing "NEVER AGAIN" I got another wristband for Victoria's music festival, Rifflandia. I was apprehensive, due to the fact that it's not possible to see all the bands you want to see, and you have to plan things out so you get to see what matters most to you. Also it cost $80 after HST THANKS GORDON CAMPBELL I WON'T FORGET THIS.

I'm not bitter. Anyways, long story short, I missed Chali2na because it was WAY busier at the Phillips brewery shipping lot than I thought it would be, (badass venue) but other than that most of what I wanted to see was at Lucky bar, so not so bad right?

Well anyways, fast forward to Saturday night. When I arrive DJ Weezil was tearing shit up, weird music and he's also wearing a nylon on his face, but it's cool because I like hearing new weird music and he's trying, and being original in the process. After this is a set by Longshanks, the local resident Lucky DJ. He plays behind the bar so other acts can set up more easily.

I don't know if you've ever been to Lucky on a Saturday night, but it was pretty much the same thing. That is, people trying to dance, wanting to have a good time, but have difficulty.

I've always been pretty picky about my music selection. Right now I listen to a lot of bass music (dubstep, glitch, etc) and lesser known hip hop. For most of my life I would refuse to dance unless the music was good, but I've learned that most people don't share my taste, and also I really like to dance, so by now I will pretty much always comprimise and dance to whatever's on, although my style of dance may reflect how I feel about the music. Long story short, when the dance floor would clear during Longshanks sets (he also played after tanlines while they took apart their considerable amount of equipment) myself Cody and Lana would take liberal use of the dance floor by throwing punches, kicks and elbows (as well as occasionaly throwing in Lana's trademark double-kickpunch-headbutt). This happened several times over the course of his sets, including one time where absolutely everyone on the dance floor had stopped dancing, I am not even exaggerating a little. I've been to Lucky enough times to know this was not a freak occurrance, but a staple Longshanks occurance as he plays pretty much every Saturday.

This got me to thinking some more, how did he get this killer time slot at what is one of Victoria's more consistantly popular bars? Did his father own Lucky bar? Did he have some sort of blackmail evidence to be used against the owner at a moments notice? So, I dusted off my electronic sleuthing gear and took a look (I opened google and typed in dj longshanks). Here's what I found.

-Longshanks was asked to take over the regular timeslot as he works at Ditch records and "Is so into music"
-He has a girlfriend - sorry ladies
-He knows he trainwrecks on a regular basis
-He is heavily involved with getting many electronic DJ's to show up in Victoria, including the Subdivision showcase at Rifflandia this year
-He is from Winnipeg (incidentally I predict Winnipeg will be the new Montreal AKA cool and hip city everyone will be moving to)
-He seems kind of shy in his interviews

Initially I started this research so I could rip into him and expose him as some sort of egomaniacal self glorifying DJ, but then I realized I'm an asshole. He's actually a nice guy who cares a lot about music, who got into DJing sort of on accident. I do hope he is able to improve as a DJ and gets better at playing music that will keep the crowd more enthused, and play more music I like obviously because I have great taste in music. Hopefully someday I will stop being an asshole and actually talk to him in a way where we can both learn something and not just end up hating each other and taking it personally.

Tuesday, September 29, 2009

Ripofflandia



This weekend I got to see one of my favorite Canadian artists, Buck 65.  However, the downside was that I paid the ironic amount of $65 for it.  Not that I dont' mind paying to see Buck 65.  I think $30 is a reasonable amount to see Buck 65, as long as he played for a long time.  I can't remember how long he played on Saturday, probably like an hour and a half.  He is a great performer.  He was by himself, with a turntable, mixer, scratch device and laptop to work with.  Last time I saw him was with DJ Skratch Weezil who did all the non singing work.  That was a great show too.

Besides that however, I wanted to see another great band, Holy Fuck.  We  were at Element where Holy Fuck was playing, and the opener DonkeyDong was already halfway through the set.
My friend Dave jumped in front of me wielding a Canadian, the cheapest beer at the bar.
"Hey I was talking to my niece, and apparently people were waiting for Mother last night for 2 hours and still didn't get in"

"Oh shit."

"Yeah.  I'm thinking if we need to see this show, we need to go before the Holy Fuck set ends, because other people are going to try the same thing."

"Shit man, we should leave right now then just to be sure."

"Okay just let me finish my beer"

We stuck around another 15 minutes and then headed over to Market Square.  There was no lineup, but the venue immediately filled up as soon as we got there.  We were there before 9 and we just made it under the wire.  We ended up drinking in the beer garden for the next 3 and a half hours, which wasn't so bad, but we missed Holy Fuck and none of the bands proceeding Buck (especially Jets Overhead) were terrible and deserved nothing less than being wholly ignored.

Point being, music festivals are not worth the cost, unless you are guaranteed to see all the shows you want to see unhindered.

Also, Final Fantasy didn't play because he was sick, or maybe he was "sick".  He canceled last time I went to Victoria too.  Anyways, I didn't get my moneys worth and a refund would be nice.  $60 * 2000 tickets = $120,000